Alongside my editing work, I am actively expanding my technical expertise and training as a Digital Imaging Technician (DIT), focusing on the seamless handling of media from set to post-production.
I am an experienced offline editor with a strong background in both long and short-form content, ranging from global social media campaigns to award-winning broadcast documentaries. Over the past five years, I have collaborated with high-profile clients such as Channel 4, Barbican Centre, Meta, JustGiving, Save the Children, and Comic Relief.
I have developed a comprehensive skill set in managing cross-platform workflows, with expertise in ingesting and handling large volumes of footage, delivering broadcast-ready packages, and maintaining meticulous quality control. My experience includes syncing rushes, organising viewing timelines, and applying temporary LUTs to assist senior editors in crafting compelling narratives. These responsibilities have refined my technical proficiency and strengthened my ability to ensure that all content meets the specific technical standards of various platforms and broadcasters.
My technical toolkit includes Adobe Premiere Pro, DaVinci Resolve, Avid Media Composer, and After Effects, with a strong understanding of colour pipelines, media encoding, and post-production infrastructure. I thrive in fast-paced environments where precision and problem-solving are key, and I am always looking to collaborate with teams who share my passion for bringing cinematic stories to life.
If you’re looking for a dedicated post-production professional with an eye for detail and a deep appreciation for storytelling, I’d love to hear from you.